{"id":11133,"date":"2025-10-31T19:48:46","date_gmt":"2025-10-31T18:48:46","guid":{"rendered":"https:\/\/asso.unilim.fr\/fedros\/2025\/10\/31\/appel-a-contribuition-punctum-the-semiotics-of-dancing\/"},"modified":"2025-10-31T19:48:46","modified_gmt":"2025-10-31T18:48:46","slug":"appel-a-contribuition-punctum-the-semiotics-of-dancing","status":"publish","type":"post","link":"https:\/\/asso.unilim.fr\/fedros\/it\/2025\/10\/31\/appel-a-contribuition-punctum-the-semiotics-of-dancing\/","title":{"rendered":"Appel \u00e0 contribuition: Punctum &#8220;The Semiotics of Dancing&#8221;"},"content":{"rendered":"<p style=\"text-align: center\"><strong>Appel \u00e0 contribuition: Punctum &#8220;The Semiotics of Dancing&#8221;<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>C\u2019est avec grand plaisir que nous partageons l\u2019AAC pour le num\u00e9ro 12\/1 (2026) de la revue Punctum (<a href=\"https:\/\/punctum.gr\/\">https:\/\/punctum.gr\/<\/a>) sur le th\u00e8me The Semiotics of Dancing. La date limite pour l\u2019envoi des propositions est le 31 d\u00e9cembre 2025.<\/p>\n<p>&nbsp;<\/p>\n<p>Dance, as an organized form of movement within a given practice, has been a vital part of societies and cultures since the beginning of time. This seemingly simple definition raises many questions about the perspectives and fields through which dance, or rather, dances can be understood. Indeed, seeking universal \u201cgrammars\u201d of dance appears pointless, even if it is viewed as a body technique (Mauss 1934). Is dance an art form, or does it aim to produce meaning in practices such as \u2013 to name just a few \u2013 rituals, activism, and therapy? And even if we focus on the artistic, religious, anthropological, and sociocultural areas, how can we overlook the differences between a hip-hop jam, a dervish dance, a Bharata Natyam performance, a contemporary dance show, a milonga, etc.? Do these diferences represent different autonomous semiosis, or should they be understood only in terms of the semiospheres or forms of life where they occur? Also, are there general \u2013 though not universal \u2013 features of semiosis that dance demonstrates, as Ren\u00e9 Thom (1991) once suggested?<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/asso.unilim.fr\/fedros\/wp-content\/uploads\/sites\/12\/2025\/10\/Punctum_CfP_Dancing.pdf\">Punctum_CfP_Dancing<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Appel \u00e0 contribuition: Punctum &#8220;The Semiotics of Dancing&#8221; &nbsp; C\u2019est avec grand plaisir que nous partageons l\u2019AAC pour le num\u00e9ro 12\/1 (2026) de la revue Punctum (https:\/\/punctum.gr\/) sur le th\u00e8me The Semiotics of Dancing. La date limite pour l\u2019envoi des propositions est le 31 d\u00e9cembre 2025. &nbsp; Dance, as an organized form of movement within [&hellip;]<\/p>\n","protected":false},"author":106,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57],"tags":[],"class_list":["post-11133","post","type-post","status-publish","format-standard","hentry","category-attualita"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Appel \u00e0 contribuition: Punctum &quot;The Semiotics of Dancing&quot; - F\u00e9d\u00e9ration Romane de S\u00e9miotique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asso.unilim.fr\/fedros\/it\/2025\/10\/31\/appel-a-contribuition-punctum-the-semiotics-of-dancing\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Appel \u00e0 contribuition: Punctum &quot;The Semiotics of Dancing&quot; - F\u00e9d\u00e9ration Romane de S\u00e9miotique\" \/>\n<meta property=\"og:description\" content=\"Appel \u00e0 contribuition: Punctum &#8220;The Semiotics of Dancing&#8221; &nbsp; C\u2019est avec grand plaisir que nous partageons l\u2019AAC pour le num\u00e9ro 12\/1 (2026) de la revue Punctum (https:\/\/punctum.gr\/) sur le th\u00e8me The Semiotics of Dancing. 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